The superstrat you built for me is still going strong, and has already been extensively used for both studio sessions and live work. In the studio I usually bring a dozen guitars, but at the end of the day usually no one is bothered to even listen to the others. "Take the brown one", is what I usually hear. And for live work, the guitar has been around: Belgium, The Netherlands, France, Germany, Italy, Swiss, Greece, Kroatia and Turkey (and of course Ireland, but without me). The Black Magic Women is also one of my favourites, although I don't play it as often as the superstrat (due to the Floyd Rose trem and the dominating "rock" sound). But every time I plug it in, it completely blows away every reference to Gibson, Ibanez or any other brand that claims to build the ultimate rock machine. I love these guitars dearly, and I recently came close to even buying a third Larkin guitar. But instead of buying one second-hand, I think I just might order another one straight from your shop.